Rigoletto at the Met

Long before we saw the opera, we've had ear full of comments about its apparently flamboyant and modern stage design. I'm never against progression, so I was excited to find out with my own eyes about this opera. The brightest spot of the opera has to be Diana Damrau--what an artist, musician and wonderful character. Since my first very Gilda was Anna Moffo, naturally I expect vocal impeccability and drama. At the end, I'm glad to say that the opera was very successful, the crew were excellent singers as well as performers.